@MarqFJA87
Well so far none of the stuff you're trying to stop has happened. From this chapter forward constructive critics have still been coming, people are still commenting casually as well as consistently, and no one is being "driven away".
When writers keep making the same old writing mistakes or abusing the same tropes with no nuance there is gonna be back lash. That's just common cause and effect. As i pointed out before no story is too good for it. I never said Isekai all suck, that's just your own false assumption.
Bold of you to say that when you're guilty of taking your opinions beyond what you have a right to.
Guilty of what? Stating multiple times that I think people should be free to hate or love certain types of Manga? Cuz so far that's all I've done. I think this is a funny work in progress of a manga. That's it.
Just because you have a right to hate something doesn't equate to you having a right to constantly proclaim your hate every single time the topic comes up.
I only get pissy when haters believe it's fine to drown out forum discussions and comment sections with their hate just because people who like the works in question exist and want to have discussions about them that are about more than the negatives.
Gripes and complaints are one thing. Repeating the same gripes and complaints in every example of a genre to the point of flooding them is a different beast altogether and deserves nothing but utter scorn and public censure.
Dude, what do you think the block button is for? Seriously, you're acting as if u and everybody else on this site can't just ignore other users on a whim. Why do you think everybody just ends up blocking the user monkey 13 and his annoying af antics? Cuz he took freedom of speech to a ridiculous level. Yet for some reason the mods here don't want to get rid of him.
Exactly how did you manage to divine that fact when most of the "criticism" here is just variations of "I hate it" or "it's trash", with not a single explanation as to why, and the rest are pretty much missing the point of the premise/genre?
Looks like you ignored Aretheus's comments and the comments of other chapters. A premise\genre can have a point but if the execution is poor well then you get this. Its why Stories like rising of The Shield hero and konosuba get more praise while shows like Fairy Tail and sword art online receive almost ridiculous amounts of scorn. There is a clear Gap in effort and enginuity between the stories.
You keep saying issues, but you do nothing to explain what they are.
You say it doesn't even try to stand out, but the very premise by itself does that plenty, and you seem to ignore the fact that the nature of the genre does make it very difficult if not impossible to avoid operating by certain conventions and tropes (e.g. showing the MC slowly progressing through their training).
Excuse me for having serious doubt about your credibility as a critic.
You mean besides the basic harem MC gifted with the broken power from the start just for being human or brought to a new world? Not to mention his very inhuman responses to the situation as a whole? Like believing the bandit that tried to kill him moments later and letting him off with no consequences what so ever. Not to mention how little sense it makes for the MC to hide to prevent war. The first few chapters establish he is in fact a god here and could more than likely stop the war on his own just by holding the planet it's self hostage. He wouldn't even have to be serious about actually blowing it up. The world's inhabitants already believe his power is worth starting all-out war with every other country despite the catastrophic number of people that would likely kill before any rewards could be gained. The premise alone makes the same mistake as many stories that come before
(not just esekai) by eliminating any real sense tension or difficulty from the start.
Just because it's a mainstream genre doesn't mean adding nuance and clever subversion isn't something writers shouldn't all aspire to. It comes down to the writer's own creativity and choice of execution. Edward Elric from Fullmetal Alchemist never actually increases his fighting capabilities after we are first introduced to him and he's a Shonen protagonist. Nor does he end the story after having become the strongest.
Rising of The Shield hero actually explores why getting sent to another world would actually suck more than it would rock. We have a believable protagonist who actually wants to go home instead of living the rest of his life fighting demons and Dragons. He's not even gifted with the best weapon or resources and has to rely on a slave to fight for him at the beginning. And even when he does eventually get an offensive ability the drawbacks end up making him wonder if it's even worth it.
Do I think this story is trash so far? No, we haven't even gotten the chance to get through the first major arc. Do I think the ground work, lore, power system/levels could've used some work? Honestly yeah, but so far this story is a hell of a lot better than some of the REAL bad reads/watches out there like "In another world with my smartphone", "Conception", "My Sister, My Writer". At least the writer here has a legitimately solid and healthy sense of humor.