Really, what kind of pathetic mop writes this sort of stuff? Stories that bring joy and cheer are always better than concrete-cutting rapist isekai trash; i.e. edge. Hell, the author could have at least pulled a Watamote and realized that making something solely out of negative emotions with no eventual development is just a sad sack of coal in a grey sock on Christmas. That is the ideation of - calculating how many - exactly ZERO human beings with regular mental health.
Japan is a great country, by all means. All rich countries are, despite their perceived problems. But Japanese male otaku? Total creeps with deep anger for society (probably women), rooting from a lack of genuine emotional intelligence. I seriously don't understand how any population of young people can be such idiots. "Smart" people - people who are successful, comfortable, and secure with their life and identity - don't read this kind of shit. There are plenty of pitiful incels and war-crazed neo-nazis roaming the American internet, but at least they don't fund anime like this, bloody hell. Who approved the anime for this anyway, the profit-analysis? (But then again, they make the same FIFA and Madden over at EA every year. Of course the shittiest game company is somehow the most profitable.)
There are so many better manga out there that deserve attention, manga with artistry, complexity, and structural beauty. And it's so easy to drive up popularity for such things too, considering how all tankobons look the same and cost more or less the same. I'm sure the mangaka of this and of those manga get paid roughly the same. So why is this flaming rot the one that gets animated? Why do people eat up *this* kind of stuff? Because it's *easy?*
I wish Japanese mangaka would write manga because they wanted to make people happy, not because they wanted to bring their silly and frankly malicious delusions about society to spit on an art form. And yeah - most mangaka are good like that. There's a plethora of fun Twitter and Pixiv comics that are wholesome enough. And mainstream/pseudo-mainstream manga are still great and relatively uncontaminated. But the fact that even one manga of this sort gets popular enough to be animated, as opposed to literally any of those other easy but positive ones... It makes me wonder how mainstream "anime" really is in Japan, beyond the most popular series.
There's a big difference between this evil vs. evil kind of manga and something like Otome Sekai, where at least the MC topples corrupt structures with effective methods that don't involve extreme edge - but instead culminate in satisfaction and respectability. Here, there's no "judge," no "jury," no justice - just a bunch of assholes. And it's true that there is some experienced manner in which this manga presents its story - for example, the isekai trope elements are introduced and developed in a slightly innovative manner. But that doesn't do much for the rest of it.