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Damn this is fun.
yeaI have been interested in this for four fucking years and there's still less than 25 chapters, like holy shit this is like 5 chapters a year
the tiger actually in chapter 1 seemed to be a D or E cup, and then obviously the artist decided they wanted to save lead on drawing...My main complaints with this story are: the mc looks lame AF, it's overall mostly slow paced and kind boring, and, this is a major one for me, ALL THE WOMEN HAVE PUNY CHEESSSTTSS!! There are quite a few character that have appeared as far as I've read and I don't think any of them go over a B or a C cup! Just a personal gripe, as a lover of big oppai.
I've read the LN, and now that I know how old she is (5 y.o.), the less sexualized she is, the better.the tiger actually in chapter 1 seemed to be a D or E cup, and then obviously the artist decided they wanted to save lead on drawing...
Its typical with all the manga unfortunately, they have an unhealthy obsession with underage girls, which is extremely creepy.I've read the LN, and now that I know how old she is (5 y.o.), the less sexualized she is, the better.
Japanese love four thingsIts typical with all the manga unfortunately, they have an unhealthy obsession with underage girls, which is extremely creepy.
Would actually like to see more where the people are actually 18+
And they wonder why their birth rate is down the drainJapanese love four things
1) Virgins
2) Little girls
3) family members, especially sisters
4) Virgin little sisters
5) NTRJapanese love four things
1) Virgins
2) Little girls
3) family members, especially sisters
4) Virgin little sisters
Actually that got cleared up in the afterward of volume 5 (after chapter 25). The mangaka did a drawn afterward, so if you haven't been buying the officially translated volumes, you probably didn't see it. Basically he knew nothing about smithing when he began drawing the series. And since it happened during COVID-19, he was severely hampered in his ability to learn. Which led to the errors everyone is complaining about. Let me type up the text:So, correct me if I am wrong but we have Smithing & Harem here. But:
1. Smithing -> author doesn't know anything about smithing
Hello. I'm Yoshino Himori, the artist for the My Quiet Blacksmith Life in Another World manga. Did you enjoy this volume?
When I received the offer to create the manga version of Tamamaru's work, I wanted to illustrate the quiet life of Forge Eizo. And also shed light on how some weapons were made. I was so excited to get that opportunity!
But I had one issue. I didn't know anything about smithing! A fatal flaw.
And during that time, we had an emergency lockdown order. COVID-19. I couldn't go out and interview people. "What do I do? All trips canceled!"
As the deadlines for the serialization drew near, I had to forgo interviewing smiths. "I have to study using a different method. I'm anxious..."
As for the quiet life part, when I was still a student at club training camps, I did experience chopping wood and stuff like that. "Chopping wood. Cooking rice in a pot. Bathing in a Goemon bath."
As part of my hobbies, I got to help butcher a deer that a hunter had killed. "Hobby: Eating. 'This part is used for steak.' I don't know what meat this is at all. What fun. Thank you to my hunter friend!"
When I was a student, I took a class on molding and hammering copper plates. "Making a bowl. Clank clank clank clank."
And I'd visited the Tatara Ruins by myself in Okuizumo. "Silence child. Ironworks."
I figured... you know what? I think I can do this! And then the manga launched. "I did go to the Turkish cultural center to learn about archery, though."
Years passed, and I finally got to observe smithing! "Autumn 2023. In Gifu! Take it away Rika. 'My pleasure.'"
On my first day, I visited a smithing heritage museum. "It's so clean!"
Each smithing tool and process was carefully displayed! No detail was missed!
And best of all, I was allowed to take pictures! There were famous katanas too, and the museum had so many items! "I even went to nearby Gifu Cutlery Hall and had my own knife forged! For my own use."
On my second day, I got to experience smithing firsthand. I'm indebted to Asano Kajiya. "I'll do my best."
When I first asked to join, they courteously allowed me to interview the smith and tour the place for my work. I was even allowed to take pictures of the forge.
There were also a few foreigners who wanted to experience it too. "From the Netherlands. From Spain. From Japan."
Asano has hosted a few workshops in other nations. And he apparently receives quite a few requests from foreigners who want to try forging. That's what he told me. "'Not many Japanese people want to do this.' That was unexpected."
And the explanations are mostly in English for the foreigners! Of course he explained it all to me in Japanese as well. "Whew!"
I was in Japan, receiving information on Japanese smithing in English. Such a novel experience. "And the English was easy to understand."
We made a small knife. "So cute!"
I'd hammered copper before, but never steel. The metal felt heavy as it changed form. It was difficult but very fun.
I realized there were some things I couldn't have learned from only looking at references. Seeing the interior of the forge was insightful, and I gained a lot from listening to the smiths take on the process.
I communicated with the two foreigners using broken English and a translation app. They both loved anime, so we found a common topic! Otaku communication! "None of us knew each other! 'I like ---!' 'I like Sla- D-nk!' Whoa."
After we shaped the knife, we took a break for lunch and then did the quenching! The smith raised the temperature in the dark room, and the flames were beautiful.
The image I'd envisioned while reading the light novel and beginning to draw the manga became even more vivid. It was a strange feeling. "So this is quenching... Huh..."
What does Eizo see, feel, and sense? How does he experience all this? I felt like my ideas were now aided by a sense of reality.
I not only got to experience smithing, but I also gained some precious reference photos too. And I had the apprentice pose for me and become my model. Asano Kajiya, thank you so, so much.
As I draw this series, I've been sort of chasing after the world that Eizo lives in. I would love nothing more than for you to enjoy this ride with me.
Yoshino Himori