Well, the alphabet, the numerous kiddush cups (I looked at ones like they use, but they’re generally heavily silver plated and thus cost money. Mine is adonised aluminum. I had one, like they use, but it broke. I could swear I’ve seen some of those patterns of Judaica sites. The grape patterns are such a dead giveaway), the number of characters with very specific peyos (my least strong argument, because anime hair), terminology, structure of various rituals, the last major arc (free Palestine) is it very much a “promised land” narrative…
I may add more, so check back later. I just woke up. There is A LOT, but most of it is so “goyim won’t notice” that I almost think Nishi is either converting or a convert. Unless they moved to Tokyo when they got this serialisation, I doubt the latter part. There really aren’t any communities outside Tokyo.
Nishi did her research. I busted out laughing at so many moments.
It’s all just sourcing imagery, mythology, visual flavour, etc.
Like I said, most artists pull from other sources, so this got me excited every time I saw it, because it’s relatable