@llde
Ahhh, that's fair, that's fair. Character consistency (or a proper, narratively-supported character change) is definitely important for a story's quality. I guess I'm just coming at this with the low expectations of someone who a) has read a lot of really nonsensical and inconsistent stories in this genre and b) sometimes just likes to read garbage that doesn't quite make sense, for funsies
So if the king's character is inconsistent, I'll just shrug my shoulders and be like "okay, I guess we're doing this now". But also that's not really, uh, conducive to literary criticism? I
hope that the characters will stay consistent in this story, but if they don't it'll still fall within my expectations because they were so low to begin with. It wouldn't be the first story I've read, or the first villainess story, that took a nosedive in quality after a while.....
But even if
I'm ultimately willing to consume trash like some sorta of media raccoon, doesn't mean that stories shouldn't be subject to analysis and criticism, and it doesn't mean I think your standards are too high or anything
And also!!! I really like your point about how these kinds of stories
don't have a proper transformation arc and a properly defined fatal flaw
. I think that's one of the major weak points of stories like this, where the villainess is automatically in the right, both from our POV and also in the narrative itself. I wish more villainess stories would delve deeper into the actual reasons why a noblewoman might harass and bully someone for getting too close to her fiance. (Reasons such as: the fiance can't really be targeted because he holds the power in the relationship, or that noblewomen of that time kinda Had To Get Married To
Someone, and so the breaking of an engagement would be kinda like losing your job
and your home at the same time). Something that, to the audience, isn't quite enough to justify hurting someone else, but something that makes it a more compelling and understandable reason than "I'm jealous". And then it'd open character arc possibilities, like learning to accept that which we cannot change, or realizing that a life of opulent wealth isn't worth it if you're unhappy,
or that governments that rely on hereditary positions are inherently restrictive to women, and so should be torn down in favor of systems that allow more choice for everyone involved
(..............actually that last part reminds me of this one manga I was reading, Kingdom of the Queen. I should pick that back up)