shitpost here

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A young girl named Eula adored her father more than anything. He was her hero, her world. When he passed away too soon, she was devastated. Driven by a love so powerful it bordered on obsession, Eula dedicated her life to science. Years turned into decades, and she became a genius, a celebrated physicist whose work on temporal mechanics was unlike anything the world had ever seen. She built a time machine.

Her destination was not a historical event or a forgotten era, but a specific moment in her own history: the year her father was a young man. She found him—not the weathered man she knew, but a vibrant, hopeful young man on the cusp of his own life. Eula fell in love with this version of him. It was a love that transcended time, a love that felt fated.

She married him. They built a life together, filled with joy and quiet moments of understanding. She became the mother she had never had a chance to meet. She gave birth to a beautiful daughter—a child who was her own past self, her childhood self.

Eula raised her daughter with a secret purpose. The little girl's wish to save her own father was a wish Eula understood completely, because it had once been her own. She quietly guided her daughter's genius, providing her with the resources and knowledge she would need. The cycle was complete. Eula lived a happy life, not just as a wife and mother, but as the silent architect of her own history, ensuring that the love story she had with her father would never truly end.

What do you think of these different approaches? Which one resonates more with the story you want to tell?
 
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A young girl named Eula adored her father more than anything. He was her hero, her world. When he passed away too soon, she was devastated. Driven by a love so powerful it bordered on obsession, Eula dedicated her life to science. Years turned into decades, and she became a genius, a celebrated physicist whose work on temporal mechanics was unlike anything the world had ever seen. She built a time machine.

Her destination was not a historical event or a forgotten era, but a specific moment in her own history: the year her father was a young man. She found him—not the weathered man she knew, but a vibrant, hopeful young man on the cusp of his own life. Eula fell in love with this version of him. It was a love that transcended time, a love that felt fated.

She married him. They built a life together, filled with joy and quiet moments of understanding. She became the mother she had never had a chance to meet. She gave birth to a beautiful daughter—a child who was her own past self, her childhood self.

Eula raised her daughter with a secret purpose. The little girl's wish to save her own father was a wish Eula understood completely, because it had once been her own. She quietly guided her daughter's genius, providing her with the resources and knowledge she would need. The cycle was complete. Eula lived a happy life, not just as a wife and mother, but as the silent architect of her own history, ensuring that the love story she had with her father would never truly end.

What do you think of these different approaches? Which one resonates more with the story you want to tell?
didn't know end-user license agreements had fathers, feminine Oedipus complexes, knowledge of the sciences, the knowledge of building a time machine, the ability to be impregnated and knowledge of how to raise a child but okay
 
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didn't know end-user license agreements had fathers, feminine Oedipus complexes, knowledge of the sciences, the knowledge of building a time machine, the ability to be impregnated and knowledge of how to raise a child but okay
I thought he was talking about Eula (best character) from Genshin Impact for a second there.
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