SANDA - Vol. 16 Ch. 142 - Let's Go Santa Claus!

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"Are you a virgin", Lines that only exist to kill the used goods argument. I liked it but I do agree Paru is the type of writer that needs an editor to keep her on track. It's like how Naruto started out as a fox boy that pissed on people before it got cleaned. Sometimes you can be too wild.
 
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Many thanks and congratulations to Baking-sama for finishing this!

Paru still iffy on the endings, even with a timeskip before the final 5 chapters the last one still feels rushed out compared to the rest... but overall It turned out better than Beastars ending.
 
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yeah i'm really not very happy with this. Honestly the way in which the story just kind of forgets its own dystopia. The arranged marriage alongside the ways in which this world is supposed to be dystopian specifically because it's so child obsessed falling away in favor of just economical decline... it's, not great honestly.

This starts out with us being told the lives of children are now so deeply controlled christmas doesn't even exist anymore, and santa claus is being hunted down specifically because the government doesn't want kids to have this celebration ending on a story where santa is just incidentally being hunted alongside a bunch of different visiting gods because not the government but just a cult is being lead by Fuyumura's father.... It loses its own plot so badly in the second half.
 
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Not gonna lie, that was a pretty decent ending. I'm hoping for some epilogue chapters to wrap things up with a bow, but it's good for now. Thanks TL, thanks Paru, thanks Johnny Depp for taking that picture with her.
 
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I suppose it was my own bias wanting Fuyumura to be the one to drag Sanda out of his ill-fated youth lol, but she found her peace in life as an adult and Niko makes just as much sense for being the one to help Sanda grow up a little after how the last few arcs went (the image of Ooshibu being replaced with Sanda as he realized he was just stopping himself was really good too)

wouldn't have complained getting just a bit More from this timeskip era, Sanda's journey is satisfying enough from start to finish but I would've loved seeing a bit Amaya and Fuyumura finding themselves while growing up, especially Fuyumura getting to slow down enough to process Ono's death (can't hunt the chapter down right now but it did feel like she had Accepted it in the moment after they visited Ono's grave) and her father's abuse... ah well, I'll just assume she settled down with a nice bookworm lady and adopted......

but more importantly, thank you Baking Translations for all your work on this series! Incredibly grateful for the opportunity to read this story in English, it was a wild ride from start to finish
 
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and still things fall apart, because in that case the story should never have introduced the fact that she could just be resurrected. To bring her back is missing the point? Then Fuyumura should have had more to say than "I'll think about whether it's right to resurrect her" moments before she ceased to be a character in Sanda and became a plot device with barely any screentime until the end of the manga.

There's also this little known narrative trick called Checkov's gun, don't introduce something into your story if you are not going to make use of it. The reindeer santa special power could have just been a vehicle creation ability without the resurrection and that would've been that. But it wasn't.

The moment the story introduced a way to actually bring Ono back to life is the moment the themes needed to incorporate reasons for not doing so that are better than simply hoping we'd forget about it. Which is what happened.

You really hang up on a character that been dead since the story started and at that point had ceased to had any relevance.

The part you seem to decide to ignore is Fuyumura gone over Ono's death in that arc and come to understand loss, even if the analogy was more "social death" as Ono simply grown as Fuyumura remained a child and so they ceased to have that much in common (like two children that are 2-3 years apart and eventually cease to interact as one grows into a teenager and moves into another social circle) and that was the whole point, even her disease was entirely "she grow up too fast" ... its not that the analogies are even subtle, they kinda really obvious and on the nose.

Also you are ignoring the Reindeer Blood on its own only heals wounds, the possibility of resurrection is explored but also its full consequences since there are moral consequences, lets not forget this WAS NOT forgotten, go check Chapter 74 as you see her in front of Ono's "grave" with Santa thinking about it, I believe the anime goes into that more.

It seems you just wanted to do it as the whole purpose of the manga was bringing Ono back that Santa cant do at first, there is a history of Santa keep failing his promises to Fuyumura but that is also thematic, children make promises they cannot keep, its a story of growing up and Sanda and Fuyumura simply accept Ono's death as part of life.

Its not really a flaw of the story, it would been maybe if it was completly ignore but it was not ... Fuyumura praying at Ono's "grave" is symbolic of acceptace, its not she forgot but that she knows that one should be act like God and bring back the dead.
 
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The Beastars ending was rushed as well, though that seemed to have external reasons.
But Itagaki Paru really needs to work on her story ending abilities, she seems to have problems wrapping all of her story threads up satisfyingly
 
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thank you for translating! it was a blast to read, and it was fun to share the excitement of new chapters-- wishing the best for you & your future, keep it cool!

(and i really liked this series/ending-- all of itagaki paru's works are about the hard work of growing up and getting along, huh?)
 
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Thank you so much for translating it, I remember when the spanish fansub stopped translating I went to see if there was an English translation so I could continue reading it and, to my surprise, they were even further behind and I remember being sad for a few months because I couldn't read Sanda until your fansub appeared, thank you again for taking the project<3
 
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He did it?!!

Also, thank you for scanlating this whole series! What a weird ride through and through. Paru, for a lack of a better word, is truly an eccentric and odd author, but that's her charm. Even if the plot is kinda messy at some point, even if the art is even messier, Sanda, Beastars, Beast Complex, and her other works sure are fascinating to read through.

Can't wait to delve into her two other on-going series, about a girl... being sexually harassed by a ghost, and about... literal beastiality... oh boy.
No, the Ghost one is about Ghost Cuckoldry.
 
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This whole story is a very weird drug fueled analogy of growing up.

At no point was the story about Oho because her death is the loss of innocence as she grown up faster and became a adult before she was meant to, at least compared with her classmates as she became alienated so she died, to bring her back is missing the point completely.
Yeah see I get that it's a metaphor but it's also not a very good one and I also don't think the story handled it well at all. Not only does "she grew up so fast she fucking died" not mean anything but the emotional processes for Fuyumura and Sanda that led to the decisions they made were so opaque I was stuck waiting for a conclusion that never came.
 

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