"The ultra-tiny, super small... ultra-cute, super hungry piko girl appears?!"
My brain keeps wanting to parse that as song lyrics. Specifically to ZZ Top's Sleeping Bag, or If I Were a Rich Man from Fiddler on the Roof.
Judging by the art, Inoue Natsumi (the artist for this manga) is a fan of Adam Warren (Empowered, Dirty Pair, Gen13, Livewire) or maybe vice-versa. Bobble-head Arse and the twins have a lot of the exact same facial expressions as Lollipop-era Emp.
Numbers for pretty much anything being so meaningless that the mangaka themselves can't be bothered to remember them--even on the same page--is such a common trope that it's one of the squares in Isekai Bingo.
For this whole dragon-type filled dungeon I kept thinking about how he has an even more powerful sword that's designed to kill dragons. Dumbass just forgot about it, or summat.
But is the horsey okay?
I guess it's pretty clear where the mangaka stands on the argument over whether the adopted or biological family is the 'real' one.
This siege is really cool and all--I'm not at all complaining about that, I really like it--but I'm now wondering if the mangaka is starting to regret not ageing up the MC after all the earlier chapters of That Time I Got Reincarnated as a Slime Shota.
I love how the freeloading knight stumbled bass-ackwards into a logic trap for the count. He's just lucky that there's some dead guy whose name he can drag through the mud, at least for however many hours it takes her to go back to the goblin village to confirm that this new story is also BS.