Shi ni Modori Oujo wa Ikinobiru Tameni Yuri Harem wo Tsukuru Koto ni Shita

Joined
Aug 17, 2024
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319
As a disaster lesbian myself, I appreciate the comedic value of a woman who thought of herself as fully straight going through a groundhog day scenario often enough to become really good at seducing women as the most direct method of winning over her detractors she can think of, suddenly realising that maybe all those years has radically shifted her perspective and guys just don't do much for her anymore.

Could this story be appealing to the male gaze? Uh... maybe? Doesn't seem like the author has a particularly high opinion on men in general given how they're caricatured. Either way I know that this shit is hilarious.

Hell, if we really wanted to get into deeeep breakdowns and take a comedy story way too seriously, we could interrogate how such a bizarre and stressful situation could very well have long-lasting effects on someone. Not changing their sexuality mind, but in rebalancing how a latently bisexual individual could relate to both the same and opposite sex differently after all this.
Eu sou homem e mesmo assim gosto de homens sendo tratados como imbecis, já que eu odeio homens
 
Joined
Aug 17, 2024
Messages
319
The ending of ch.3 is weird...
Why can't that chic just get into a physical platonic relationship with a male? Instead of wasting money at a hostess bar run by uggos males?

Makes no sense? Too rich to care about intimacy? Wants to now trick her mind with feeling like she's loved, while in actuality, is being milked (literally) from her wallet?
Só pra começar, ela nem devia gostar de homens, devia ser lésbica desde o começo
 
Joined
Aug 17, 2024
Messages
319
This shit is funny but the bi erasure is serious.


They should have left her tatse in men intact and at most centralized the meta on pretty boys. It's not like Anime does that too much already. Also can't tell boys from girls these days.
Ela nem devia gostar de homens, devia ser lésbica desde o começo, afinal, estamos em um mangá YURI YUUURIIII Y-U-R-I YUUUUURIIIIIIII
 

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