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I came here from the description expecting Generic slop of the capital G kind, but so far the author has started building this thing surprisingly well.

Apparently a person who was also tasked with writing the rules for this place (RIP). Have you ever read them?

To be fair, this here showed the initial push for the whole series as we know. In general I do agree with you on that one, though.

Exactly this, I think this is a thing widely missed here. There was a lot of groundwork (with much of it feeling very unintentional) into turning this story into straight played tragedy by deconstructing (gods, what an overused and abused word...) the setup into how it would actually develop...

Can't really blame the guy, the cast has been hit with the same face bat™ hard. It's like the artist grouped characters based on hair color and gender and made the Xerox go Brrrrrrrr. Here, specifically, it's the reddish/brown haired(?) man template whose copies all look like two peas in a pod.

It has been gradually changing since the start. That's actually one thing I can really appreciate about this series' otherwise often pretty lacking art: Making the visuals of the characters change with the story. Soujou has been under a lot of emotional stress and it has started to crack him...

Considering that multiple people in the series has noted before, that Saijou's pestering did keep people away from her and that's why she never got to interact with them that much, it means that either this is her hallucinating something that was never true (not the first thing she'd be...

To be fair, Saijou was being being selfish inserting himself everywhere she was , despite her showing she wanted anything but that. Natsukawa herself is incredibly selfish herself from the start to now, though, and nothing about MC's past selfishness or a few cutesy frames removes that, on the...

Yes, or somewhere around the less flattering range of average. Plain, forgettable, basic and someone you wouldn't call explicitly ugly, but who you would never think of when talking about attractive people. But as this is a mango, only (comically) evil people are allowed to have visibly...

At least before, flying was extremely taxing on him in the long run, probably something like full sprint is to a human. Would you just sprint everywhere as fast as you could, even if you wanted to be prompt (remember, it's not life or death atm)? Though, flying up and gliding for a bit would be...

Yup, must be the dreaded mango flu. Always as deadly as it is inconsequential, every time. Thinking of it, has it ever ended up being something more serious, with actually lasting consequences past what it did to cudgel a story in one direction or another? That aside, what character...

I mean... I get the metaphor and what it's trying to covey... But doesn't that just end up being that the glass doesn't care for the tap, but likes the water? Isn't that quite a bit off the intended mark, or are these tonal off-steps all over the place so far getting more intentional weight...

Damn, every situation of him interacting with Aika is like him dealing with a hostage situation. I know it's not the intent and the author is trying to brush this over with this 'silly' -brush, but it's a surprisingly decent depiction of what you see with abuse situations, where one party is...

It's the fujoshitter brainworms and their many sets of symptoms. I appreciate the attempt, but there is nothing to do at that point: You can only give your condolences to their close ones and hope the palliative phase passes calmly.

...I think Tomo has never actually even had to consider it.

On a re-read it really hits how much Misaki is gumping it.

And the bigger thing was that he wasn't the target, but rather an accessory to her trying to be seen improving herself to the prez. That's like being roped around to help with a group project and finding out your name is not even on it. The distaste for him is just the cherry on the top.