He's been trying so hard to retire...why would you make him have MORE work?!I'm guessing this series will end with Kikuru as the head of the Guards with San and Hitamuki at his side at this point. San's a good right hand woman and Hitamuki will stay to take care of him like she already does.
weve never actually seen any of the guild management, every arc its just the aces coming up with plans and discussing things on their own initiativeI'm guessing this series will end with Kikuru as the head of the Guards with San and Hitamuki at his side at this point. San's a good right hand woman and Hitamuki will stay to take care of him like she already does.
74Clearly she's conscious of Kikuru. I remember she mentioned it before, anybody happen to remember what chapter that was?
Kikuru has mana dysfunction and hitamuki is a mana viagra. They'll have to put them in a pot and mix them together at some point.I'm guessing this series will end with Kikuru as the head of the Guards with San and Hitamuki at his side at this point. San's a good right hand woman and Hitamuki will stay to take care of him like she already does.
Pretty sure that adds up to hanabataKikuru has mana dysfunction and hitamuki is a mana viagra. They'll have to put them in a pot and mix them together at some point.
Also I'm glad the mangaka is consistent here with how True was hyped as being super strong, and didn't just have him immediately job. Considering how easily the villain wiped out a party of like 10 it'll be cool to see how an Ace is in a completely different league compared to average people
That chikaeru diary......
San with kikuru jacket, no huffing???
Seeing the latest raw, medetashi medetashi.....
So how big a truck do you have?Thanks for the chapter, Kredim.
I second this: if True is paired with a dragon, and has learned draconic techniques, he should not play Worf--even if he's facing disadvantage after disadvantage.
The one I'm worried about is Hyudai Kinz, accompanying him. Japanese authors have long hated physical masculinity; those physically built for strength have routinely been characterized as weak--even food for the small-/frail-bodied, in keeping with the inverse relationship between size and strength said authors seem to firmly believe in. It's a concept I profoundly hate, especially since these authors grant scrawny, effeminate males even up to earthcracking power despite their effeminacy--and it's almost always through "magic"; if not "magic", then something similar. Physical strength is a masculine product of hard, masculine work; to give the power it produces to twiglike, frequently androgynous characters reminiscent of J-pop singers with "magic" as the reasoning sends a crippling message to those young men who'd receive it.
To those authors who believe in that inverse relationship, if you're big, you're weak; the most they'll give such a character is the ability to take a lot of hits (which is related to another mentality that many authors are trying to instill in their readers, by the way) and nothing more. They always end up food for something smaller, fast, and nimble...and Hyudai, being so built to begin with, made himself even larger and more muscular.
This story is making me empathize with Hades and his group even more.
In reality, people in general have become quite effeminate over the years. Women are emotional by nature, so what I'm about to say comes naturally for them. Men, on the other hand, are logical by nature and by necessity (whether they choose to be or not, plenty of exceptions that don't disprove the rule) but, despite this, have forgone their reason for emotion. Fear, anger, greed, lust--thinking takes a backseat to any of these in these males who've forsaken their masculine reason for feminine emotion. And so they emote, emote, emote--while the women continue to emote as their main MO. Their emoting, which has no masculine reason to restrain it and thereby gives rise to neuroticism even in the males, synergizes in a powerful way that shapes their society and quickly leads to evil--the kind of evil that yields tragedies like that of Fone and Hades. Once the villagers' emotions set them against Hades, Fone was as good as dead for associating so closely with him--and who could have reasoned with them to quell their fear and the antipathy it birthed?
The excessively emotional will never see their fault because admitting wrongdoing, well, doesn't feel good--so they're always right, and God help you if you contradict that position. That said, Horaigon has a point about their capture. Many people approach the death penalty far too emotionally, even to the point at which they sympathize with vicious criminals--itself a fact they will never consciously acknowledge to themselves nor admit to anyone. Either a criminal deserves death or does not; but when the criminal does, to mete out a lesser punishment is itself a crime against justice--and an invitation to repeat offenses.
Bro, keep cooking.Thanks for the chapter, Kredim.
I second this: if True is paired with a dragon, and has learned draconic techniques, he should not play Worf--even if he's facing disadvantage after disadvantage.
The one I'm worried about is Hyudai Kinz, accompanying him. Japanese authors have long hated physical masculinity; those physically built for strength have routinely been characterized as weak--even food for the small-/frail-bodied, in keeping with the inverse relationship between size and strength said authors seem to firmly believe in. It's a concept I profoundly hate, especially since these authors grant scrawny, effeminate males even up to earthcracking power despite their effeminacy--and it's almost always through "magic"; if not "magic", then something similar. Physical strength is a masculine product of hard, masculine work; to give the power it produces to twiglike, frequently androgynous characters reminiscent of J-pop singers with "magic" as the reasoning sends a crippling message to those young men who'd receive it.
To those authors who believe in that inverse relationship, if you're big, you're weak; the most they'll give such a character is the ability to take a lot of hits (which is related to another mentality that many authors are trying to instill in their readers, by the way) and nothing more. They always end up food for something smaller, fast, and nimble...and Hyudai, being so built to begin with, made himself even larger and more muscular.
This story is making me empathize with Hades and his group even more.
In reality, people in general have become quite effeminate over the years. Women are emotional by nature, so what I'm about to say comes naturally for them. Men, on the other hand, are logical by nature and by necessity (whether they choose to be or not, plenty of exceptions that don't disprove the rule) but, despite this, have forgone their reason for emotion. Fear, anger, greed, lust--thinking takes a backseat to any of these in these males who've forsaken their masculine reason for feminine emotion. And so they emote, emote, emote--while the women continue to emote as their main MO. Their emoting, which has no masculine reason to restrain it and thereby gives rise to neuroticism even in the males, synergizes in a powerful way that shapes their society and quickly leads to evil--the kind of evil that yields tragedies like that of Fone and Hades. Once the villagers' emotions set them against Hades, Fone was as good as dead for associating so closely with him--and who could have reasoned with them to quell their fear and the antipathy it birthed?
The excessively emotional will never see their fault because admitting wrongdoing, well, doesn't feel good--so they're always right, and God help you if you contradict that position. That said, Horaigon has a point about their capture. Many people approach the death penalty far too emotionally, even to the point at which they sympathize with vicious criminals--itself a fact they will never consciously acknowledge to themselves nor admit to anyone. Either a criminal deserves death or does not; but when the criminal does, to mete out a lesser punishment is itself a crime against justice--and an invitation to repeat offenses.