Dex-chan lover
- Joined
- Mar 21, 2019
- Messages
- 304
I don't think it's calling out anything. Unless you're gonna tell me that every story involving this type of situation is some sort of meta commentary or cautionary tale. To get this clear, just because the story started in a way and had a twist in the middle it doesn't mean much as it's not playing the meta aspect of the genre it's supposed to be alluding to in full, so far it was just a complete genre shift.So what genre tropes is the author calling out? Anything that is an unrealistic relationship standard:
Diffident, wet noodle self-insert boys who somehow get a harem. Doe-eyed female leads who romanticize boys who are toxic or abusive. Trauma and negative coping methods becoming attractive qualities. Miscommunication because they're too embarrassed or too stoic to use their words. Idealizing romance as a fix for poor interpersonal skills.
That he got burned by one over 20 years ago and still is a salty bitch about it?Though to be fair, the most interesting thing about this manga is what Maruto is trying to say about "childhood romances" & I think that wouldn't work as a comedy.
But this is something that often doesn't work in regular romances too, with the bottom line at the end being that hard work might not get you a partner, funnily enough. Plenty of examples to go around, for the two largest ones I can think of in recent times there's Kaguya (Ishigami x Tsubame) and Blue Box (Hina).Throw in the self-imposed artificial barrier to asking someone out. Like the "win the sports festival" is a standard trope & also ridic. It's probably written in the most frustrating way here on purpose to say that these sorts of things don't magically fix the underlying issue (insecurity).
Edit - I really do think nobody would even bother defending this crap if Maruto's name wasn't behind it. It's also the main reason I'm here to anti it.
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