Dex-chan lover
- Joined
- Aug 6, 2019
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- 3,546
And in the next chapter:
Ririsa proves that under her dirty layer there is another dirty layer
Ririsa proves that under her dirty layer there is another dirty layer
Accepting mistakes is hard, I'm sure we are all have argued online and found out that we are wrong. Even for such small thing, we don't really wanted to admit mistakes.I'm still marveling at her just holding on to the villainess role like a lifesaver. What do you even call whatever the fuck's wrong with her? Twist of Cain?
Because that would make her boring. Like you said, one the "magic is friendship" later and basically her utility to the story is over.I guess I'd call it "having her character sacrificed on the altar of the story every so often" because I think you nail it when you say "villainess role." Right now she's not doing evil for the sake of doing evil, or for personal gain, or malice, or through negligence. If the point is to protect her psyche, she's clearly smart enough to rationalize her way out of the problem. So we're left at "become the evil you're afraid exists in the world, to justify hardening your heart." And the result is "scenery-chewing villainess" instead of "realistically awful person."
It's very much the kind of motivation that's easy to arrive at in an armchair psychoanalysis fashion, and convince yourself it's true because it tells a complete story... but it's absolutely not the kind of thing a real person thinks to themselves ahead of time as their motivation to act. That's bananas.
When she isn't behaving like this, I think her characterization as a pragmatic not-that-mean Mean Girl is actually really well done, and it's so close to another possible version of her role in the story that I have to assume the author is avoiding it deliberately for some reason:
A version of Hebikawa that's naturally cynical and callous, and has fully accepted that nice girls finish last would see her younger self in Kusunoki and want to make her more snek-like to protect her from a world she knows is too harsh to accept that kind of defenseless naivete. One that would love to go through life like Kusunoki does, but has been burned way too many times. I'm not really sure yet why this path wasn't chosen, because it doesn't even need a radical change to come back around to the light side - apply one Magic of Friendship directly to the forehead and she'd be strong enough to not have to be afraid anymore.
It's a real weird choice.
Hebikawa totally has a Danzig poster in her room, though.
The snake motiv for that girl is quite fitting...Snakey just alternates between being quite compelling and being chuuni as shit with her coping about liking her own edge.
Excellent description of why I enjoy Hebi's vague intrigue of pink haired girl. I feel like something more provocative should have happened before we had the play-like inner monologue. Like pressure from her distant parents or some other stress that causes her to twist that protective instinct into something worse because this is a rationalization and she's trying to prove that her ideals aren't wrong, which is an amazing idea, it's just we have no reason for her to stare in a bathroom mirror and monologue like the character of a play when each character has been written somewhat human. Except shorty falling in love with MC, that was silly and just tropey shonen garbage.I guess I'd call it "having her character sacrificed on the altar of the story every so often" because I think you nail it when you say "villainess role." Right now she's not doing evil for the sake of doing evil, or for personal gain, or malice, or through negligence. If the point is to protect her psyche, she's clearly smart enough to rationalize her way out of the problem. So we're left at "become the evil you're afraid exists in the world, to justify hardening your heart." And the result is "scenery-chewing villainess" instead of "realistically awful person."
It's very much the kind of motivation that's easy to arrive at in an armchair psychoanalysis fashion, and convince yourself it's true because it tells a complete story... but it's absolutely not the kind of thing a real person thinks to themselves ahead of time as their motivation to act. That's bananas.
When she isn't behaving like this, I think her characterization as a pragmatic not-that-mean Mean Girl is actually really well done, and it's so close to another possible version of her role in the story that I have to assume the author is avoiding it deliberately for some reason:
A version of Hebikawa that's naturally cynical and callous, and has fully accepted that nice girls finish last would see her younger self in Kusunoki and want to make her more snek-like to protect her from a world she knows is too harsh to accept that kind of defenseless naivete. One that would love to go through life like Kusunoki does, but has been burned way too many times. I'm not really sure yet why this path wasn't chosen, because it doesn't even need a radical change to come back around to the light side - apply one Magic of Friendship directly to the forehead and she'd be strong enough to not have to be afraid anymore.
It's a real weird choice.
Hebikawa totally has a Danzig poster in her room, though.