@Tersione When you "creatively re-interpret" what I say into shitty ego-stroking copypasta, I'm going to insult you.
But I see a couple points of possible failure on my part, so I'm going to ask to see if I misread something.
You say the evidence I give doesn't constitute a deep story. By extension, I assume you agree with the opinion you attributed to others earlier - that the story itself is pretty bad and is certainly not deep / complex / whatever. You say that the manwha elevates this story with its art "immensely" and quote the mellowing of the Japanese contingent as a story change.
Do you see a change-in-kind difference (as opposed to change-in-degree) between this manwha and the WN? Or to put it another way, do you see the story quality of the WN and the manwha as so interchangeable that you can safely judge one on the merits of the other?
As an extension of the above - IYO, is the usage of art in the manwha the only notable difference between the two?