But seriously, that the fatness is actually treated as a plot point instead of just a "gasp! anyway training montage" (though it is also still basically just that), but that it's done so poorly? And also that even though the MC gets to be fat for more than a single chapter, the artist just. Draws fat people so offensively? Genuinely so much could be said on this but one thing that struck me is just, her facial proportions? Like dude, fatness doesn't make your eyes spread further apart on your face like a goldfish.
Also the revelation / plot point that you find out that it's the shitty fake friend that's the one that "pushed" her into "obesity" or whatever, like there are so many ways that could've been framed differently? Like the fact that MC is the adopted daughter, and thus was a commoner orphan before then and probably suffered childhood food insecurity. Like ofc that would affect a child! She basically got baited into having an eating disorder. TBH the plot point of mean girl's jealousy at MC being too popular, but somehow mean girl became her first and then only friend? How'd that happen, maybe the adoption thing had something to do with it? Too bad this was not seen as a relevant point for the author to expand upon.
Also the fact that she was only given basic humanity by the general populace after she thus fit the societally acceptable standard of beauty, that she was only given attention and sympathy post-factum. Like! If you're going to include something like this, address it! It's not just enough that you vaguely cover the misogynist ways that that's bullshit, re: fiance being a shallow turncoat cheat. Like misogyny was vaguely covered in the resolution between the antagonist's love story and the way mean girl got manipulated and then her revenge (ish) on the guy who thought she was expendable. But! Really nothing about the fatphobia. Like I get isekai are basically the epitome of the #GirlBoss genre in that they're like yes this main character will cater to the male gaze while managing to use it to her advantage but also while never subverting it in any actually meaningful way. That's feminism babe! I get isekai as a genre is all about escapism and the dream of managing to get the upper hand against incredibly harmful pervasive societal pressures, but has anyone in the genre actually confronted any of them in a way that wasn't just as shallow and performative and within said overwhelming boundaries?
IDK perhaps that's illustrative of the tone of isekai as an inherently defeatist genre, but especially the girl-demographic fantasy upperclass western part of the genre- world is fuck so let's go to a world that is in large ways kind of almost worst? But hey there's magic and monarchy is a thing so you can just dictator your way into societal change rather than wade through complex globalized political processes that are made intentionally fragmented and obfuscating, which itself works as barrier to prevent the average citizen from being informed!
Well this rambled and got nowhere, anyway! On that note and in other news, other things that suck and there should be less of include the rampant racism, the deluge of step-sibling "but it's not Actually incest" incest, wack age gaps, and general condoning / stanning of abusive at worst but condescending at best Boring male leads.